Publications

 

1997 L'apprentissage par imitation dans les Andes
Conservatoire de Lausanne - Travail de pédagogíe générale
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L'imitation (1 MB)
1994-97 "Les instruments de musique des Aymaras".En: Correo del Sur, Lausanne

Download Les instruments de musique des Aymaras (1.5MB)

2008 "Noël à San Francisco de Querco : univers de dualités dans un rituel andin".

Extrait de : Bulletin 2007 der CH-EM & GVP/SMPS, Zürich.

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pdf (4.5MB)
2010 "Musique péruvienne, migration et mondialisation : Métamorphoses urbaines dans la construction et les techniques d'interprétation de la harpe".

Extrait de: Bulletin 2009 der CH-EM & GVP/SMPS, Zürich.

Download Musique peruvienne
pdf (2.5MB)
2010 "Diario de viaje: Buscando Identidades peruanas" (en espagnol).
Extrait de: Procesos del Folklore en los 2000, Revista del Centro Universitario de Folklore, Año 1, número 3, UNMSM, Lima.

Dans ce journal de voyage je décris des situations concrètes observées ou vécues pendant mon séjour au Pérou en 2010.
Ces situations, qui sont en relation avec le monde musical du Huayno con Arpa et les processus de modernisation auxquels est soumis actuellement le village de San Francisco de Querco, me permettent de repérer quelques éléments culturels qui à mon avis sont actuellement à disposition de l'habitant du Pérou (en particulier d'origine andine) pour forger son identité.

Download Diario
pdf (1MB)
2010 "Música andina y globalización: la orquesta típica del Centro del Perú en Europa" (en espagnol).
Extrait de Quaderni di THULE X - Rivista italiana di studi americanistici', Centro Studi Americanistici “Circolo Amerindiano”  Onlus, Perugia.

 


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pdf (1MB)

2013 "El arpa en la cosmovisión andina".

Extrait de: Revista Argentina de Musicología 12-13 (2012), 125-150, Córdoba, Argentina.

This article starts with an idea that emerged during the 52nd International Congress of Americanists in Seville, 2006, where I participated as a speaker at the symposium Cosmologies and their representations in images, discourses, rituals and music in the Central Andes. Impressed by the lectures of Jürgen Golte and Rodolfo Sánchez Garrafa, I imagined that the applicability of the Andean cosmology could go beyond what usually supposed, and could be underlying the interpretation not only of pre-Columbian instruments such as the highland siku but also of European instruments brought to the Andean region by the conquerors as the single-strung harp. Here I show the possible application of Andean cosmological aspects in the organology, construction and performance technique of the Andean harp, supplementing with observations on the Andean pentatonic and European diatonicism as dialectical elements.

Download El arpa en la cosmovisión
pdf (2MB)

2016 "El arpa en Huamanga: ¿tradición y estilo musical acordes a los retos del siglo XXI?" Extrait de: TRANS Revista Transcultural de Música/Transcultural Music Review 20

The validity and survival of traditional musical expressions rooted in a more or less distant past and its evolution over time is – after having been reintroduced into our discipline by adaption of historical (re-) studies – a key theme of ethnomusicology. How are the audience and the musicians going to manage the traditions they consume or practice? How does each individual place himself in the context of these – sometimes highly virulent – processes? Do the musicians have to defend the legacy of their ancestors tooth and nail, or should they rather initiate processes of adaptation and modernization of ancient styles? These questions stand at the origin of this article which tries to provide a current overview of the harp tradition in Huamanga, Ayacucho (Peru), and the challenges faced by the music of this city since two decades, after the dark years of political violence, which have left still open sentimental, spiritual and musical wounds.
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Claude Ferrier a realisé également:

pdf (4.5MB)
 
pdf (0.2MB)
Histoire de la Musique Occidentale de la Grèce Antique au Baroque   Historique des genres et des formes de la Musique Occidentale





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Claude Ferrier